This page contains music that I have written and released over the last few years. Please click on the Spotify or Apple Music links above the album art work to check them out. Thank you and I hope you enjoy the music.
61 Days
2022. I wanted to encompass the roles of player, programmer, and mixer. However, my proficiency on keyboards, bass, and drums fell short of the musical standards fit for public consumption.
Amidst the backdrop of the Covid lockdown in 2020, my fascination with synthesizers , prompted further exploration into sampling, finger drumming and bass. Two years later, and the result is this EP— a mix of Lo-Fi, Electronic and Jazz. Written, performed and mixed in 61 days.
Comeback Kids
2020. My captivation with analog synthesizers propelled me along an exciting new musical journey. Being a child of the 80s, the melodies of that era are deeply etched in me. I often pondered the prospect of composing my own rendition of the iconic soundtracks that graced 80s cinema. Teaming up with a close friend and fellow synthesizer nut, we collaborated to produce three singles. Our aspiration was to transport listeners through a temporal portal to an era of white suits, city pop vibes, and the iconic Testarossa.
Almost Sundown & Night Tide
2019. These singles share a connection. The moods of the night. Foundation of the music is woven from snapshots I personally captured, each of which graces the artwork of the corresponding single.
“Almost Sundown” carries a memory of a serene moment spent in Shibuya, Tokyo. Seated at a chocolate store with friends, I gazed ahead to witness a stunning sunset framed between the urban, casting its warm hues upon an almost deserted street.
Meanwhile, “Night Tide” draws its inspiration from an after-dark adventure in Brooklyn, New York. During a beer run, we walked past a defunct gas station. Recognizing its potential, I persuaded a friend to seize the moment and we captured this shot.
TimeLine
2009, I release my first guitar instrumental EP.
One cherished memory stands out—recording a roaring Marshall amplifier and a 4×12 cab in a friend’s flat. The sheer volume led to the neighbor upstairs to protest the noise with emphatic floor slams. Diplomacy prevailed, and we struck a deal to only lay down guitar tracks when they were away. Funnily enough this was the last time I used traditional amplifiers for my music. Using Marshall JVM and Splawn Quickrod 100 Watt heads through a Greenback 4 X 12 cabinet, we brought the rock and roll train into the heartlands.
b6an Music 